Hi! The DT at Pixels and Paper are presenting a tutorial each month on some techniques we use. It's been my turn this month and I am showing just a sample of what I have done. To find out more about what I did and how I did it, pop on over to:pixelsandpaper and check it out.
Catch up with you all again soon.
Cheers, Di
Monday, 25 May 2015
Monday, 18 May 2015
FAVOURITE PLACES
Hi and welcome. Today I'm sharing a canvas featuring some of the places I love to visit in my local area as well as an artwork by an indigenous Australian artist, Sally Morgan, as my DT piece for Anything But A Card. Our theme this month has been "Inspired By the Masters".
This artwork by Sally Morgan is a screen print "Aboriginal Land" from 1995. This depicts images of six different Australian landscapes including desert, rivers, mountains and trees. The whole piece has been encircled by a rainbow serpent to give strength and unity to the print. It is also a creation spirit in Aboriginal Australia.
I chose a 50 x 35cm canvas so that I could work a number of photos on a larger area. The background was sprayed with Dylusions Inks and Lindy Stamp Gang sprays. A border of leaves was stencilled on with Viva Modelling Creams and Ferro combinations.
I also stencilled on a water effect with the same products. The photos I used all have some significance with each other, as well as some Aboriginal significance.
The top photo is an aerial view of Mt Warning, named so by Captain Cook and known as Wollumbin by the local Aboriginals. This peak and the rim of mountains around it are the remains of a huge shield volcano which covered this area. With the erosion over the millennium, the beautiful Tweed Valley, Richmond Valley and the Border ranges were formed.
The remaining photos are of the Nimbin Rocks, Whian Whian Falls (taken one very misty morning), rapids at a creek near Protester's Falls, and overflow from Rocky Creek Dam, after a period of flooding rain.
Rain that falls in the Mt Warning and Border Ranges catchment area impact these creeks and dams, hence the water connection on the canvas.
Many of the towns and villages, particularly in the Tweed have Aboriginal names, including the home town of my childhood and teenage years, Murwillumbah.
They are all a part of rainforest areas and that is why I have chosen to use the leaves to connect them. My bright colours, inspired by Sally Morgan, have been used in the flowers that I've made. These represent lillypilly flowers which are a typical rainforest tree. These were painted onto card using modelling cream and then streaks and dots of pearl pens. Additional leaves were stamped onto mop-up card and cut out.
Pop on over to: anythingbutacard and check out what masters the rest of the team has chosen and how they've been inspired.
Catch you again soon.
Cheers, Di
This artwork by Sally Morgan is a screen print "Aboriginal Land" from 1995. This depicts images of six different Australian landscapes including desert, rivers, mountains and trees. The whole piece has been encircled by a rainbow serpent to give strength and unity to the print. It is also a creation spirit in Aboriginal Australia.
I chose a 50 x 35cm canvas so that I could work a number of photos on a larger area. The background was sprayed with Dylusions Inks and Lindy Stamp Gang sprays. A border of leaves was stencilled on with Viva Modelling Creams and Ferro combinations.
I also stencilled on a water effect with the same products. The photos I used all have some significance with each other, as well as some Aboriginal significance.
The top photo is an aerial view of Mt Warning, named so by Captain Cook and known as Wollumbin by the local Aboriginals. This peak and the rim of mountains around it are the remains of a huge shield volcano which covered this area. With the erosion over the millennium, the beautiful Tweed Valley, Richmond Valley and the Border ranges were formed.
The remaining photos are of the Nimbin Rocks, Whian Whian Falls (taken one very misty morning), rapids at a creek near Protester's Falls, and overflow from Rocky Creek Dam, after a period of flooding rain.
Rain that falls in the Mt Warning and Border Ranges catchment area impact these creeks and dams, hence the water connection on the canvas.
Many of the towns and villages, particularly in the Tweed have Aboriginal names, including the home town of my childhood and teenage years, Murwillumbah.
They are all a part of rainforest areas and that is why I have chosen to use the leaves to connect them. My bright colours, inspired by Sally Morgan, have been used in the flowers that I've made. These represent lillypilly flowers which are a typical rainforest tree. These were painted onto card using modelling cream and then streaks and dots of pearl pens. Additional leaves were stamped onto mop-up card and cut out.
Pop on over to: anythingbutacard and check out what masters the rest of the team has chosen and how they've been inspired.
Catch you again soon.
Cheers, Di
Friday, 15 May 2015
STARS IN OUR EYES
Hi and welcome. This month's inspirational artwork at ARTastic is "The Return of the Young Prince" by Sarah Beetson, with the additional criterion of the use of stars.
For my layout this month I have chosen some of the colours depicted in the artwork and constructed an iris folded star as the background mat for the photo I've used.
One of the papers used for this was one of my experiments with a new stencil and Neon inks.
The photo I've used was taken of my soon-to-be husband and self, not long after our engagement in 1973. The photographer was one of my bridesmaids to be.
Additional stars were made from some of the same papers and were highlighted with dots using black or gold Sharpies. The border was done with a gold Sharpie and I added black stars.
Thank you for dropping by and while you're here, why not pop on over to:artastic and check out how the rest of the team has used the artwork. We'd also love to see your art here.
Catch you again soon. Cheers for now.
Di
For my layout this month I have chosen some of the colours depicted in the artwork and constructed an iris folded star as the background mat for the photo I've used.
One of the papers used for this was one of my experiments with a new stencil and Neon inks.
The photo I've used was taken of my soon-to-be husband and self, not long after our engagement in 1973. The photographer was one of my bridesmaids to be.
Additional stars were made from some of the same papers and were highlighted with dots using black or gold Sharpies. The border was done with a gold Sharpie and I added black stars.
Thank you for dropping by and while you're here, why not pop on over to:artastic and check out how the rest of the team has used the artwork. We'd also love to see your art here.
Catch you again soon. Cheers for now.
Di
Sunday, 3 May 2015
BLUEBIRDS OF HAPPINESS
Hi and thanks for coming by. For Pixels and Paper this month, we have a delightful image, evoking memories of the past... a fitting image for Mother's Day, celebrated in Australia next Sunday.
This month I have taken the blue colours inspired by the 'Bluebird of Happiness', the lacy edge on the embroidery and the floral elements and have incorporated these to produce a layout predominantly in shades of blue, white and cream.
My mum loved embroidery and crocheting and I'm fortunate to have items she made. The doily on the hoop in the image also brought back some childhood memories of my first attempts with embroidery... I did a piece that looks remarkably similar to this one!

The photo is of myself as a junior bridesmaid at my sister's wedding. The gift my sister gave me was a double Bluebird of Happiness brooch, which can just be seen on my dress. I still have this piece along with a bracelet, signet ring and locket, which were subsequent gifts from the family for birthdays and Christmas. I gave the page a shabby, distressed look and also used dry embossing techniques on vellum. The velum had a small floral pattern and I used a ball stylus to emboss the reverse side, giving the piece the opaque white raised look that replicated the flocking on the fabric of my dress... a flocked spotted nylon which was so fashionable in the '60's!
I added a crocheted doily and also an embroidered doily. Flowers were diecut from the same papers I used on the layout as well as from some watercolour paper. The technique I used for this particular paper will be revealed later in the month at Pixels and Paper. All edges were smooshed with Prima chalk edgers.
Pop on over to:pixelsandpaper and check out how the rest of the team has used the inspiration image this month.
Catch you again soon.
Cheers, Di
This month I have taken the blue colours inspired by the 'Bluebird of Happiness', the lacy edge on the embroidery and the floral elements and have incorporated these to produce a layout predominantly in shades of blue, white and cream.
My mum loved embroidery and crocheting and I'm fortunate to have items she made. The doily on the hoop in the image also brought back some childhood memories of my first attempts with embroidery... I did a piece that looks remarkably similar to this one!

The photo is of myself as a junior bridesmaid at my sister's wedding. The gift my sister gave me was a double Bluebird of Happiness brooch, which can just be seen on my dress. I still have this piece along with a bracelet, signet ring and locket, which were subsequent gifts from the family for birthdays and Christmas. I gave the page a shabby, distressed look and also used dry embossing techniques on vellum. The velum had a small floral pattern and I used a ball stylus to emboss the reverse side, giving the piece the opaque white raised look that replicated the flocking on the fabric of my dress... a flocked spotted nylon which was so fashionable in the '60's!
I added a crocheted doily and also an embroidered doily. Flowers were diecut from the same papers I used on the layout as well as from some watercolour paper. The technique I used for this particular paper will be revealed later in the month at Pixels and Paper. All edges were smooshed with Prima chalk edgers.
Pop on over to:pixelsandpaper and check out how the rest of the team has used the inspiration image this month.
Catch you again soon.
Cheers, Di
Monday, 20 April 2015
IT'S GOLD!!!! A TAG FOR ABAC
At Anything But A Card this month, the focus has been on GOLD!
For this I have made a tag using black cardstock as a base. This was sprayed with gold glimmermist.
A butterfly was diecut from a manilla folder which started life as a mop up piece. It was sprayed with the gold mist as well, then dry embossed. The raised areas were highlighted with Delicata gold ink (absolutely THE best gold ink I've used). Some glittery blue sections were added using Viva Decor Perlen- pen.
The flower was made from glitter paper with an overlay of leaf skeletons (purchased), also inked with the gold ink and edged with the blue glitter. Gold pearl pen was also added to the glitter petals.
To finish the tag I added the stamped sentiment, woodchip butterflies and flower centre and gorgeous braid (black and antique gold).
Pop on over to:anythingbutacard and check out what other members of the team have done with our "Fool's Gold" theme. We'd love to see what you come up with (as long as it's not a card of course!)
Catch you again soon.
Cheers, Di
For this I have made a tag using black cardstock as a base. This was sprayed with gold glimmermist.
A butterfly was diecut from a manilla folder which started life as a mop up piece. It was sprayed with the gold mist as well, then dry embossed. The raised areas were highlighted with Delicata gold ink (absolutely THE best gold ink I've used). Some glittery blue sections were added using Viva Decor Perlen- pen.
The flower was made from glitter paper with an overlay of leaf skeletons (purchased), also inked with the gold ink and edged with the blue glitter. Gold pearl pen was also added to the glitter petals.
To finish the tag I added the stamped sentiment, woodchip butterflies and flower centre and gorgeous braid (black and antique gold).
Pop on over to:anythingbutacard and check out what other members of the team have done with our "Fool's Gold" theme. We'd love to see what you come up with (as long as it's not a card of course!)
Catch you again soon.
Cheers, Di
Thursday, 16 April 2015
NATURAL BRIDGE
Over at ARTastic this month, we have a fabulous inspirational artwork to use... a piece called Frozen Music, full of colour ad suggested movement by Roy de Maistre .
I have taken advantage of our added requirement of swirls to complete a double-page layout, with doodled flourishes and swirls using a silver Sharpie. This has been done as a vertical piece in keeping with the photos.
The photos are of the Natural Bridge at Numinbah,on the rim of the Mt Warning crater, about 30 minutes from the small township of Murwillumbah on the far North Coast of NSW. My layout is reflecting the photos showing a flow of water from a creek and its progression, tumbling down a steep rocky outcrop into a cavern where it cascades into a pool before once again splashing out into a small creek. As a child I enjoyed visiting this area and wandering along the track to the cavern beneath. We always called the site the Natural Arch but somewhere over the course of time this was changed to Natural Bridge. It's a great place to visit, especially after a period of good rainfall, when the cascade is even more spectacular. At the right time in the evening the cavern is filled with little bursts of light from the glow worms.
I have taken advantage of our added requirement of swirls to complete a double-page layout, with doodled flourishes and swirls using a silver Sharpie. This has been done as a vertical piece in keeping with the photos.
The photos are of the Natural Bridge at Numinbah,on the rim of the Mt Warning crater, about 30 minutes from the small township of Murwillumbah on the far North Coast of NSW. My layout is reflecting the photos showing a flow of water from a creek and its progression, tumbling down a steep rocky outcrop into a cavern where it cascades into a pool before once again splashing out into a small creek. As a child I enjoyed visiting this area and wandering along the track to the cavern beneath. We always called the site the Natural Arch but somewhere over the course of time this was changed to Natural Bridge. It's a great place to visit, especially after a period of good rainfall, when the cascade is even more spectacular. At the right time in the evening the cavern is filled with little bursts of light from the glow worms.
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| Close up of page 1 |
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| Close up of page 2 |
The background is on a pearlised cardstock and water drops have been cut from glitter cardstock. I've added strands of glitter yarn, fabric and paper orchids in the colours taken from our inspirational painting, acetate butterflies and dragonflies and painted chipboard mushrooms. The edges have a drawn border of water droplets, again using a silver Sharpie.
We'd love to see what you could do with our inspirational artwork and of course the added criteria of swirls. These can be in the form of doodling, swirls on your background paper, or added embellishments. Pop on over to: artastic and check out what the rest of the team has done using our artwork for this month.
Catch you again soon.
Cheers, Di
We'd love to see what you could do with our inspirational artwork and of course the added criteria of swirls. These can be in the form of doodling, swirls on your background paper, or added embellishments. Pop on over to: artastic and check out what the rest of the team has done using our artwork for this month.
Catch you again soon.
Cheers, Di
Thursday, 2 April 2015
PRACTICE
Hi! Thank you for stopping by. This month at Pixels and Paper we have a great photo inspiration... perfect for a male perspective.
For this, I took some of the darker colour tones and used the idea of wheels and cogs to create a layout using photos of my son aged 8 or 9, enjoying his bike in our yard.
The background paper from Fab scraps was the perfect paper for this layout. Cogs were diecut from foil shim and then embossed using 2 different folders; one with gears and cogs and the other with a metal grid pattern.
Pop on over to: pixelsandpaper to have a look at what the rest of the team has done with this photo.
We'd love to see your artworks in our challenge this month.
Catch you again soon,
Cheers, Di
For this, I took some of the darker colour tones and used the idea of wheels and cogs to create a layout using photos of my son aged 8 or 9, enjoying his bike in our yard.
The background paper from Fab scraps was the perfect paper for this layout. Cogs were diecut from foil shim and then embossed using 2 different folders; one with gears and cogs and the other with a metal grid pattern.
Pop on over to: pixelsandpaper to have a look at what the rest of the team has done with this photo.
We'd love to see your artworks in our challenge this month.
Catch you again soon,
Cheers, Di
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